A Festival of Short Plays about the Middle East
Golden Thread Productions presents its fourth annual festival of short plays written by playwrights from, or exploring themes concerning, the Middle East.
August 8, 2002 - August 25, 2002
New Langton Arts
1246 Folsom St. (between 8th & 9th St.), San Francisco
Directed by Hal Gelb, Arlene Hood, Mark Mezadourian Hughes, Torange Yeghiazarian
Featuring Boni B. Alvarez*, Sarine Balian, Ali Dadgar, Shaudy Danaye-Elmi, Darlene Dhillon, Mark Farrell*, Cindy Goldfield*, Jeanette Harrison, Barbara Jaspersen, Maziar Motahari, Ric Prindle*, Bella Ramazan-Nia, Claudia Rosa*
Design Team: Robert Ted Anderson (lighting), Jay Lasnik (scenic), Svetlana Pedan (costume), Michael Santo (sound), Termeh Yeghiazarian (story panels), Homayoun Makoui (graphics)
What an incredible time to be Middle Eastern in the US. There are no easy answers, no sure way of determining the facts. Yet, the questions keep coming and they often sound like accusations. Some of the plays in this year’s extraordinary selection are attempts at asking the right questions, or maybe just different questions than the mainstream media is asking. Sometimes the difficulties we face take on such unfathomable magnitude that solutions seem hopelessly out of reach. Under these circumstances, it is easy to forget that we all share the same simple requirements for a fulfilling life: a home, the right to self expression, dignity, love, and forgiveness.
An emphatic portrayal of a spinster, a woman caught between cultures.
The courage to sing, the freedom to live.
Yussef El-Guindi’s most recent productions include The Ramayana (co-adaptor) at ACT; and Pilgrims Musa and Sheri in the New World(winner of the Steinberg/American Theater Critics Association’s New Play Award in 2012; Gregory Award in 2011) also at ACT, and at Center Repertory Company (Walnut Creek, CA) 2013; andLanguage Rooms(Edgerton Foundation New American Play Award), co-produced by Golden Thread Productions and the Asian American Theater Company in San Francisco; at the Wilma Theater in Philadelphia (premiere), and at the Los Angeles Theater Center. His play Our Enemies: Lively Scenes of Love and Combat was produced by Silk Road Theater Project and won the M. Elizabeth Osborn award. It’s included in the anthology Four Arab American Plays, published by McFarland Books. His plays Back of the Throat, as well as Such a Beautiful Voice is Sayeda’s and Karima’s City Pilgrims Musa and Sheri in the New Word was published in the September, 2012 issue of American Theatre Magazine, and will soon be published by Dramatists Play Service, along with his play, Jihad Jones and The Kalashnikov Babes.
Two Iranian women ex-revolutionaries dance a tango of betrayal and deception.
Torange Yeghiazarian (Founding Artistic Director; Playwright, Thanks- giving; Adapter, Shelter) founded Golden Thread in 1996, where she has directed Our Enemies: Lively Scenes of Love and Combat and Scenic Routes by Yussef El Guindi, The Myth of Creation by Sadegh Hedayat, Tamam by Betty Shamieh, Stuck by Amir Al-Azraki and Voice Room by Reza Soroor, amongst others. She is also a playwright, whose plays include Isfahan Blues (Gerbode-Hewlett Playwright Commission Award), 444 Days, The Fifth String: Ziryab’s Passage to Cordoba (ICCNC commission), and Call Me Mehdi (published in the TCG anthology “Salaam. Peace: An Anthology of Middle Eastern-American Drama”). Her articles have been published in The Drama Review, American Theatre Magazine, and
Theatre Bay Area Magazine. Born in Iran and of Armenian heritage, she holds a Master’s degree in Theatre Arts from SFSU. She is one of the TCG Legacy Leaders of Color. She has received honors from the Cairo International Theatre Festival, the Symposium on Equity in the Entertainment Industry, and Theatre Bay Area.
An Iraqi soldier practices… smiling…
Laura McPherson is a drummer and cartoonist from Los Angeles, California. She graduated magna cum laude from Princeton University in May of 2000, receiving the Alan Downer thesis prize for The Marks of Men (formerly The Unmaking Mark). Upon graduation, Ms. McPherson worked for the university’s Academic Services computing division in the area of web design and development on a team that built Macromedia Flash modules for the online Arabic Poetry Project. Awarded a highly competitive Iowa Arts Fellowship to attend the Playwright’s Workshop at the University of Iowa, she currently lives and works in Iowa City.
Stents and ambulances: tools of destruction, or life-savers?
Take a tour of Morocco with Hassan, a modern storyteller.
Catherine Fletcher is a playwright living in Brooklyn, NY. In addition to From the Courtyard, her work includes the full-length plays Bridge, currently in development with the Powerhouse Theatre in Santa Monica, and The Promise of Paradise: A California Fable. In her previous incarnation, Catherine served on the organizing committee of the Los Angeles based Edge of the World Theater Festival and as the Managing Director of the Ghost Road Company. Under her leadership as Managing Director, Ghost Road produced Carrots For Hare and collaborated with Burglars of Hamm on Resa Fantastiskt Mystisk and with Theatre of N.O.T.E. on The Clytemnestra Project (Clyt At Home), an LA Weekly Award nominees. She initiated a Cultural Affairs funded series of salons which strive to bring together diverse artistic communities in Los Angeles with an aim towards sharing and collaboration. Other projects have included the films Thaw (Los Angeles Film Festival, San Francisco Indie Fest) and Fever Pitch (Nashville Independent Film Festival, Milan Film Festival) as well as directing for the theater.
The Hasmonian tunnel becomes the setting for an American couple’s face-off.
Don Monaco has had his Little Red Wagon Painted Blue produced off-off Broadway and in Memphis, Tennessee. He was invited to the Tony Award Winning Utah Shakespearean Festival where his work was present in development and in readings. His Fly in a Circle has won awards and has been produced in Dubuque, Iowa. To the Orangerie, a short play has been produced in New York at several Off-Broadway theatres. It is the second in a series of a single family’s experience of the Holocaust. A Tunnel in Palestine is the final chapter in that sequence which begins in Berlin, travels to Vienna, Paris, New York, ending in Jerusalem. Don is the director of a reading series at the Rockland Center of the Arts in New York. He is a member of the Elmwood Playhouse and the Dramatists Guild. He lives in Nyack, New York, with his wife Uli.
She is Palestinian. Her name is Tamam. It means enough.
Betty Shamieh (Playwright, Make No Mistake) is the author of fifteen plays. Credits include The Strangest (The Semitic Root), Fit for the Queen (Classical Theatre of Harlem), The Black Eyed (New York Theatre Workshop, Magic Theatre), Territories (Magic Theatre), and Roar (The New Group). She was a Clifton Visiting Artist at Harvard College, a Playwriting Fellow at the Radcliffe Institute, a UNESCO Young Artist for Intercultural Dialogue, and a Guggenheim Fellow in Drama and Performance Art. M.F.A., Yale School of Drama. bettyshamieh.com.
Yussef El Guindi
Yussef El Guindi
Yussef El-Guindi, although primarily a playwright, has also been active as a poet, actor and filmmaker. His adaptation of Chekhov’s A Marriage Proposal, staged by the Arab Theatrical Arts Guild in Dearborn, MI, was nominated for several PAGE awards including Outstanding Achievement in Original Play or Adaptation. His last poem, Crossing Borders, was published on placards and placed on buses as part of Seattle’s Poetry and Art on Buses. His short film, Love Stalks, won an award for best short narrative film at the Seattle Underground Film Festival and was aired on KTEH. A native of Egypt, Yussef holds an MFA in Playwriting from Carnegie-Mellon University and was playwright in-residence at Duke University.
Catherine Fletcher
Catherine Fletcher
Catherine Fletcher is a playwright living in Brooklyn, NY. In addition to From the Courtyard, her work includes the full-length plays Bridge, currently in development with the Powerhouse Theatre in Santa Monica, and The Promise of Paradise: A California Fable. In her previous incarnation, Catherine served on the organizing committee of the Los Angeles based Edge of the World Theater Festival and as the Managing Director of the Ghost Road Company. Under her leadership as Managing Director, Ghost Road produced Carrots For Hare and collaborated with Burglars of Hamm on Resa Fantastiskt Mystisk and with Theatre of N.O.T.E. on The Clytemnestra Project (Clyt At Home), an LA Weekly Award nominees. She initiated a Cultural Affairs funded series of salons which strive to bring together diverse artistic communities in Los Angeles with an aim towards sharing and collaboration. Other projects have included the films Thaw (Los Angeles Film Festival, San Francisco Indie Fest) and Fever Pitch (Nashville Independent Film Festival, Milan Film Festival) as well as directing for the theater.
Hal Gelb
Hal Gelb
Among the plays director/writer Hal Gelb has staged are Knuckle (David Hare), Betrayal (Pinter), The Road to Mecca (Fugard), Six Degrees of Separation (Guare), Three Cuckolds (Commedia), The Maids (Genet) and Ed Bullins’s Salaam, Huey Newton, Salaam for Bullins’s BMT Theatre. He began his association with Golden Thread Productions with Ghazi Rabihavi’s Voices staged at ReOrient 2000. Hal’s direction of Deep Cut by Karim Alrawi in June, 2001 was described by critics as ‘Brilliant’ and ‘Flawless.’ His media work has been seen on PBS, KTVU, TV20, KQED, at the World Conference on the Environment (Brussels) and the Museum of Modern Art (NYC). As a writer, Hal was one of a group responsible for the R.G.Davis/ Samuel French version of Dario Fo’s We Won’t Pay! We Won’t Pay! and is the West Coast theatre critic for The Nation.
Arlene Denise Hood
Arlene Denise Hood
Arlene Denise Hood is a Bay Area director and actress and teaches theatre arts at Moreau Catholic High School. Her drama students have received numerous awards and recognition for their outstanding work. She and her students, in conjunction with Faultzone Theatre Company, have performed several times at the Edinburgh, Scotland, Fringe Festival, where her production of Recent Disappearances received a four-star rating. In 1998, she performed in Faultzone’s The Bacchae at the Festival of Amathus in Cyprus. Ms. Hood and her drama program have been featured in the California Educational Theatre Association’s newsletter. Recently, along with her fellow arts instructors, she was awarded The California Alliance for Arts Education’s Creative Ticket School of Excellence Award for outstanding achievement in arts education. Arlene received her theatre arts degree from California State University, Hayward, where she is also a guest lecturer and director. Directing credits include Moon Over Buffalo, Sylvia (Hayward Little Theatre), Khamasseen (North American premiere), Prelude to a Kiss (Act Now!), Min El Alb Lilalb, Akemwi (Golden Thread Productions); Kiss Me Kate(CSUH), Something’s Afoot (Lamplighters), The Visit, Anouilh’s Antigone, Macbeth, Man of La Mancha, Our Country’s Good, The Real Inspector Hound, and 1776.
Mark Mezadourian Hughes
Mark Mezadourian Hughes
Mark Mezadourian Hughes has directed productions of Reckless, Picasso at the Lapin Agile, A Bright Room Called Day, Strange Loop, The Proposal, Sexual Perversity in Chicago, Bullshot Crummond, George Washington Slept Here, and This Property is Condemned. He spent several seasons as part of the stage management team at the Oregon Shakespeare Festival. Mark received a BFA in Theatre Arts from Southern Oregon University. He has studied with Sanford Meisner, Elinor Renfield and Susan Aston. In March, Mark will direct Hillbarn Theatre’s production of Mister Roberts.
Laura McPherson
Laura McPherson
Laura McPherson is a drummer and cartoonist from Los Angeles, California. She graduated magna cum laude from Princeton University in May of 2000, receiving the Alan Downer thesis prize for The Marks of Men (formerly The Unmaking Mark). Upon graduation, Ms. McPherson worked for the university’s Academic Services computing division in the area of web design and development on a team that built Macromedia Flash modules for the online Arabic Poetry Project. Awarded a highly competitive Iowa Arts Fellowship to attend the Playwright’s Workshop at the University of Iowa, she currently lives and works in Iowa City.
Betty Shamieh
Betty Shamieh
Betty Shamieh is a Palestinian-American theatre artist. She received a New Dramatists Van Lier Fellowship. She performed Tamam at the Imagine: Iraq reading, American Museum of Natural History, City Museum of New York, and the Annual Bread and Roses Performance Event. Her performance work Chocolate in Heat - Growing Up Arab in America premiered at the 2001 New York International Fringe Festival and had a sold-out and critically acclaimed run at Theater for the New City in February 2002. Her plays have been produced at the Yale School of Drama, Exiles Theatre in Ireland, and Adams Pool Theatre. Her writing has been published in This Week ON STAGE, Mizna, and The 1993 Poetry for the People Anthology. She was awarded an Institute of Politics Artistic Grant and a Radcliffe Fellowship to Jerusalem. She holds a BA from Harvard College, an MFA in Playwriting from the Yale School of Drama, and is a professor of screenwriting at Marymount Manhattan College.
Torange Yeghiazarian
Torange Yeghiazarian
Torange Yeghiazarian writes, acts and directs for the theatre and is the founder and artistic director of Golden Thread Productions, an ensemble dedicated to the production of theatrical works that explore the Middle Eastern Culture and identity as represented throughout the globe. Born in Iran, Torange received her Masters degree in Theatre Arts from San Francisco State University.